The Pinnacle of Cultural Heritage—The Exhibition of the Mawangdui Han Tombs
The undisputed heart and soul of the Hunan Museum is the"Exhibition of the Mawangdui Han Tombs in Changsha,"located in the galleries on the third floor.Divided into four major sections—"The Astonishing Excavation,""Life and Art,""The Collection of Bamboo and Silk Texts,"and"The Dream of Immortality"—this exhibition showcases over 1,000 artifacts.Here,visitors can engage in a dialogue across time and space with the Western Han nobility of 2,000 years ago.
Lady Xin Zhui:The Immortal Legend of the"Sleeping Beauty of the East"
Buried approximately 20 meters underground,sealed within multiple layers of nested coffins,and packed in a moisture-absorbing white clay paste,the remains of Lady Xin Zhui survived for over 2,100 years.Upon excavation,her body remained remarkably well-preserved:her skin was still supple and elastic,most of her joints remained flexible,and some of her hair was still intact—a feat that stands as a miracle in the history of human corpse preservation.When she was unearthed in 1972,Lady Xin Zhui astonished the entire world.The advanced Western Han embalming techniques revealed by her preservation—along with the era's societal pursuit of immortality—remain invaluable subjects of research for the medical and archaeological communities to this day.
The Plain Gauze Robe:Western Han"High-Tech Textiles"Weighing Just 49 Grams
As thin as a cicada's wing,as light as wisps of mist—this is the immediate impression left by the"Plain Gauze Robe"(Su Sha Dan Yi),a national treasure unearthed from Mawangdui Tomb No.1.It stands as the oldest,most complete,and lightest garment of its kind known to exist.Two such plain gauze robes—one with a straight hem and one with a curved hem—were recovered from Mawangdui Tomb No.1.The straight-hemmed robe measures 128 centimeters in length with a total sleeve span of 190 centimeters,yet weighs a mere 49 grams—so light that,when folded,it can fit inside a small matchbox.In June 2024,the authentic curved-hem plain gauze robe—which had never before been displayed in a permanent exhibition—was unveiled to the public for the first time,garnering immense attention.Due to persistent rumors circulating among the public—suggesting that the Quju-style plain gauze undergarment was destroyed during a museum theft in 1983—the Hunan Museum issued a special online statement to"debunk the rumor."They clarified that the Quju-style plain gauze undergarment was never stolen and has,in fact,been meticulously preserved within the museum's artifact repository all along.
The T-Shaped Silk Painting:A Celestial Vision of the Soul’s Ascent
Unearthed from Tomb No.1 at Mawangdui,the T-shaped silk painting stands as the absolute pinnacle of Han Dynasty silk art.It is divided into three distinct sections:the celestial realm,the human realm,and the underworld.The upper section depicts a mythical heavenly kingdom,featuring the Golden Crow(the Sun),a toad,the Torch Dragon,and the celestial gatekeepers.The middle section portrays the tomb's occupant—Lady Xin Zhui—slowly ascending to the heavens,flanked by three attendant maidens,while her family members are shown performing sacrificial rites.The lower section depicts a giant figure supporting the earth.With its vibrant colors,rich composition,and fluid lines,the entire silk painting reveals to us the rich spiritual world of the Han people—a world characterized by the belief in the"interaction between Heaven and Man"and the ultimate ascent of the soul.
Lacquerware and Bamboo/Silk Manuscripts:The Exquisite,Utterly Luxurious Lives of Western Han Aristocrats
The exhibition hall also features a vast array of Western Han Dynasty lacquerware,pottery,silk textiles,and bamboo slips and silk manuscripts.These unadorned yet exquisite pieces of lacquerware silently attest to the extreme luxury that characterized the lives of the aristocracy during that era.Furthermore,the health regimens and astronomical divinations recorded on over 3,000 bamboo slips bring the wisdom of these ancients—from two millennia ago—vividly to life before our very eyes.
Deep Roots:Shang and Zhou Bronzeware and the People of Hunan
The Min Fanglei(Square Lei Vessel):The Peerless Majesty of the"King of Square Leis"
The Shang Dynasty Min Fanglei—unearthed in 1919 in Taoyuan,Hunan—is a vessel of colossal proportions,exuding a powerful and solemn grandeur.It seamlessly integrates three-dimensional sculpture,bas-relief,and incised line carving,presenting a truly magnificent appearance;it remains the largest and most exquisite bronze square lei vessel ever discovered to date.The vessel's body embarked on a journey across the ocean,and nearly a century later,it was finally reunited with its lid—a legendary saga that,in itself,constitutes a deeply moving historical epic.Standing before this heirloom of immense significance—safeguarded through the generations by the collective efforts of countless people—you witness not only the pinnacle of Shang Dynasty bronze-casting craftsmanship but also a profound,indissoluble sentiment of devotion to both family and nation.
The Ningxiang Bronze Assemblage:The Brilliant Legacy of Southern China’s Bronze Culture Hub
Ningxiang,Hunan,is one of China’s three major sites for the excavation of Shang Dynasty bronzeware,earning it the title of the"Center of Bronze Culture in Southern China."The Dahe Square Cauldron with Human-Face Motif—the only bronze ritual vessel in the nation to feature a human face as its primary decorative element—presents a mysterious,semi-human,semi-beastlike image that has sparked a myriad of enigmatic interpretations.Together with the Bronze Nao(Bell)with Elephant Motif and the Bronze Zun(Wine Vessel)in the Shape of a Swine,this Human-Face Square Cauldron forms the most brilliant tableau of the bronze civilization of the Hunan region.
"The People of Hunan"—A Historical and Cultural Exhibition:A Comprehensive History of Hunan,Rich in Local Flavor
Located on the second floor,the exhibition"The People of Hunan—A Historical and Cultural Exhibition of the Three Xiang Regions"unfolds gradually from a first-person perspective,spanning ten millennia—from the ancient homeland to the modern spirit of Hunan.From the radiant bronze cultures of the Shang,Zhou,and Chu states to the seafaring voyages of Changsha Kiln ceramics;from the fragrant rice-farming traditions of the Ming and Qing dynasties to the emergence of countless Hunanese luminaries in the modern era—an endless array of precious artifacts weaves together a clear narrative thread of the enduring"Hunan Spirit."
"The Brilliance of Hua":Ceramics,Calligraphy,Painting,and Exquisite Crafts
In the special exhibition halls on the second and third floors,you can admire the world-renowned ceramics of the Changsha Kiln.First fired during the Eastern Han Dynasty,this kiln pioneered underglaze painting techniques—incorporating painting,calligraphy,and poetry into ceramic decoration—and exported its wares extensively overseas,marking a true milestone in the history of Chinese ceramics.Among the precious calligraphy and painting masterpieces from various dynasties,two items are particularly unmissable:a Tang Dynasty copy of the Preface to the Poems Collected from the Orchid Pavilion(Lanting Xu)by the"Sage of Calligraphy,"Wang Xizhi;and the"Duyou"Guqin(zither)from the late Tang Dynasty—recognized by experts in the guqin world as one of the three definitive standard instruments for authenticating Tang Dynasty guqins.
>Photography Tips:The lighting in front of Lady Xin Zhui’s coffin and her Su Sha Dan Yi(plain gauze robe)—located in the Mawangdui exhibition on the third floor—is relatively dim.Conversely,the Min Square Lei(wine vessel)is dramatically illuminated;its majestic form makes it an ideal subject for close-up photography.Flash photography is prohibited within the museum;please capture your precious memories with a spirit of reverence.